Thursday, December 10, 2009

Gift Of Property To Family Member Ontario

of Music - Jekaterina Fjodorova

Park ... Music - Jekaterina Fjodorova Friday, December 11, 2009 21:30 Hotel Park - AQ Tagliacozzo Via Tiburtina km 99 Free admission The Music Park is a co-production Hotel Park - under the auspices of Jazz On ABRUZZO REGION and the patronage of the province of Aquila. The exhibition is conceived and directed by Maestro Luigi Tufano professor of flute at the Conservatory of Music "A. Casella" L'Aquila. The advice of the musical maestro Sandro Rancitelli teaching score reading at the Music Conservatory "A. Casella" L'Aquila. Both are employees of Jazz On Cultural Association in both educational and artistic. Introductory note by the maestro S. Rancitelli After nice gig Bruno Persico - jazz piano - last Monday, this evening we return to classical music with a brilliant pianist Estonia for several years in Italy. Jekaterina Fjodorova has a program in the wake of what is to become a tradition concert "Jazz On," that is "just beautiful music" in which virtuosity and live together in perfect intimacy. It begins with a sonata by Domenico Scarlatti (1685 - 1757), whose many works for harpsichord - 545 in the catalog edited by Alessandro Longo - where gallant grace and virtuosity of the keyboard is constantly intersect, brought him to be considered the father of the modern keyboard technique. Scarlatti was one of the many "immigrants" of the intellectuals' 700 Italian in fact, born in Naples, soon left home to go to Portugal, where he was choirmaster and teacher of King John V of the Infanta Maria Barbara, who married heir to the throne of Spain, he brought with him in Madrid, where he remained until his death Scarlatti. Is still debated whether it is appropriate to think of piano compositions on the harpsichord, but beyond doubt important musicological issues, nothing can prevent you from enjoying the beauty of this music that our illustrious compatriot Gabriele D'Annunzio likens to "gems." We move with Franz Joseph Haydn (1732 - 1809), and rigor to the classical sonata form. Haydn's life seems to be the opposite of that of Scarlatti, born in Lower Austria moved a few kilometers to live most of his life employed by the Baron in a court Esterazy small but highly educated. This isolation does not prevent him from being a prolific composer - 106 symphonies, 68 string quartets, 60 piano sonatas, and more - and celebrated throughout Europe. The Sonata in C major No. 58 opens the last group of five sonatas composed in 1789, the year of the French Revolution, how far away from the court (!), And is one of the few in only two movements: the first - Andante with expression - which, with some freedom, part of the great family of variations on a theme, in which Haydn alternates major and minor episodes in the second, being also a function of Finale - Rondo, Presto - very powerful song that recalls the final His symphonies, particularly that of No. 88, composed in the same period. By Frederic Chopin (1810 - 1849) we are in the Romantic era; the piano has definitely supplanted the harpsichord and it is Chopin, along with Liszt, to highlight its great potential. Studies, gathered in two collections (op. 10 and op. 25), certainly have a didactic function, that can help pianists to solve, or at least be addressed, specific technical difficulties of the keyboard, but, unlike many other collections Studies born in 800, containing a poem and a preoccupation with the sound never reached, and this is why you often hear in concert halls. The Study in C sharp minor Op.25, in fact, is a specific technical problem: the use of the thumb buttons on blacks in melodic passages, and the other study, in C minor, Op .10, instead of the use of chromaticism in the left hand. Neither one nor the other are just that: the first is a slow track with a refined poetic, the other is the famous "Studio Revolutionary" composed in 1831 the announcement of the fall of Warsaw, where it is condensed whole romantic passion of the great Polish composer. E 'opera crossed with anger and violence, despair, but also nostalgic tenderness. With the Sonata in F minor, op.57, the Fjodorova has estimated that Beethoven himself as his most important composition for piano. Written between 1804 and 1806, the same period of the Third Symphony "Eroica" seems to correspond to the psychological portrait that posterity will have of Beethoven, summarized by Romain Rolland as "a torrent of fire in a bed of granite." We're talking, of course, of the fan, this is the name by which the op .57 No. 23 is known to most people. Enjoy. Schedule D. Scarlatti - Sonata in D - Major J. Haydn - Sonata in C - Major Hob. XVI: 48 I - II Andante con expression - Presto F. Chopin Studies 2: Op.25 no.8 in C sharp - NR.12 in C minor op.10 - minor L. van Beethoven Sonata in F - minor op.57 No.23 I - Allegro II - III Andante con moto - Allegro ma non troppo Jekaterina Fjodorova Born in Valga in Estonia in 1983, he began his Jekaterina Fjodorova piano studies with Elfride Talvik (1990 - 1997) at the School of Music in Valga and continued with them and Prof. Ira Floss. Ivari Ilja Centrtale School of Music in Tallinn (1997 - 2002). From 2002 to 2006 he studied with prof. Ivari Ilja at the Estonian Academy of Music and Theatre. After studying under the Erasmus program, a course at the Conservatory of L'Aquila Box, they moved and now studies with Alessandro De Luca. Even as a young distinguished herself as a performer, establishing in national and international competitions (won in 1999 2. Prize at the International Chopin "for young soloists in Narva, in 2001 2. Prize at the International Jurmala in Latvia and more recently the first prize contests Magliano Sabina and Peoples) and is taking up a promising career. In particular, she was a guest soloist of the Concert Season of the University of Tuscia in Viterbo, several institutions Abruzzo L'Aquila, Avezzano, Celano, and among his next projects include the closing concert of the season at the Catholic University of Rome, in the performance of Concerto for piano, violin and orchestra by Mendelssohn, accompanied by violinist Lili Bernardi and Orchestra "Camerata Italica" directed by Luciano Bellini.

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